“I… it’s… was it something we said, or…?” On the doorway leading to the living room, his father is silent.

He turns, and he can tell immediately that his mother is close to tears.

There is an edge of fear to his mother’s voice, and that’s what causes Ernesto to pause, hand still in mid-air to grab his jacket. “We can drive you to the airport, it would be quicker…” I’ll get something to eat on the way, mamá.” “Are you sure you don’t want me to cook you something?” Things quickly get out of hand.Ī/N: Well, time for them to talk like adults. Tired of Ernesto’s snide remarks, Imelda decides to put him in his place and her husband is more than happy to help. “… Do you have it? The iPad? Because the last thing Héctor is gonna need is getting out of here to find out it’s gone.” So I could make it big, be a star, never think of him again.” My plan was to leave him in a ditch and run off with his iPad and all the songs in it. “I’m not sure what made you think quoting Cain would come off as perfectly innocent.” Imelda rolls her eyes, but her lips curl upwards for the briefest moment, and Ernesto mentally marks it as a victory.

A guy sitting on the other end of the waiting room blinks blearily at him, clearly hungover. “What, since when is it my responsibility to watch what he eats?” Ernesto huffs, throwing up his arms with dramatic flair. “And so you just let him eat it while you steered well clear of it!” “Look, I tried to tell him that chorizo didn’t look all that great, but he was hungry and–” “One time you go out of town on your own since last year, one time, and my husband winds up in the hospital with food poisoning!”

Imector, onesided Ernesto/Imelda.Ī/N: Appa asked for a serving of one-sided pining with some she’s-about-to-marry-my-best-friend sprinkled on top, and I complied. Had a lot of fun with it, too. [Modern setting, commissioned by Ernesto de la Cruz, Imelda Rivera, Héctor Rivera. Summary: Ernesto couldn’t understand what was it about Imelda that his best friend found so amazing.

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